PATTY WICKMAN

BORN

1959 Pasadena, California

Currently resides in Los Angeles, CA

EDUCATION

1983 M.F.A., University of Colorado, Boulder, CO

1981 B.F.A., Arizona State University, Tempe, AZ

SELECTED SOLO EXHIBITIONS

2002 Baer Gallery, St. Norbert College, De Pere, WI

2001 Hunsaker/Schlesinger Fine Art, Santa Monica, CA

1996 A Thief in the Night, Dan Bernier Gallery, Santa Monica, CA

1993 Frederick Spratt Gallery, San Jose, CA

1991 Selected Works: 1982-1989, Union Gallery, San Jose State University, CA

Recent Paintings, d.p. Fong Galleries, San Jose, CA

Deborah Harris, Margaret Lazzari and Patty Wickman in Three One Person

Shows, Los Angeles Contemporary Exhibitions, CA

1989 Guggenheim Gallery, Chapman College, Orange, CA

1988 USC Atelier, Santa Monica, CA

1984 Health Science Center, University of Colorado, Denver, CO

Brunswick Gallery, Missoula, MO

1983 Eve Drewelowe Gallery and Gallery 1, University of Colorado, Boulder, CO

SELECTED GROUP EXHIBITIONS

2014 Storytellers, The Earl & Virgina Green Art Gallery, Biola University, La Mirada, CA

2007 Luck of The Draw, Hunsaker/Schlesinger Fine Art, Santa Monica, CA

Multiple Vantage Points, Southern California Women Artists 1980-2006, Los Angeles Municipal Art Gallery, Los Angeles, CA

The State of Spirituality in Contemporary Art, Cathedral of Our Lady of the Angels, Los Angeles, CA

2005 Passion/Passover, Cathedral of Our Lady of the Angels, Los Angeles, CA

2004 Drawings, Hunsaker/Schlesinger Fine Art, Santa Monica, CA

Gio Ponti: Furnished Settings & Figuration, ACME Gallery, Los Angeles, CA

2003 Still Small Voice, Adair Margo Gallery, El Paso, TX

         Sharon Allicotti and Patty Wickman, Cerritos College, Norwalk, CA

Women on Painting, Cornell DeWitt Gallery, New York, NY

2002-03 LA Post-Cool, curated by Michael Duncan, San Jose Museum of Art, CA; traveled

to Otis College of Art & Design, Los Angeles, CA

2002 California Dream: Gleaning, Libera Accademia di Belle Arti, Brescia, Italy (catalog)

Painting’s Edge: The Exhibition, Parks Exhibition Center, Idyllwild Arts, CA

Paintings, Hunsaker/Schlesinger Fine Art, Santa Monica, CA

2001 The Importance of Being Earnest, curated by Michael Duncan, Occidental

College, Los Angeles, CA (catalog)

2000-01 Representing LA: Pictorial Currents in Contemporary Southern California Art,

curated by Gordon Fuglie, Frye Art Museum, Seattle, WA; traveled to Art

Museum of South Texas, Corpus Christi, TX; Laguna Art Museum, Laguna Beach, CA (catalog)

2000 Drawings V, Koplin Gallery, Los Angeles, CA

Inaugural Group Show, Cornell DeWitt Gallery, New York, NY

Animate I Inanimate, curated by Christopher Miles, Inmo Gallery, Los Angeles

Testament: Ruth Weisberg and Patty Wickman, University Art Gallery, California Polytechnic State University, San Luis Obispo, CA

1999 Painting: Fore and Aft, Acme Gallery, Los Angeles, CA

Person/Place/Thing, Sam Francis Gallery, Santa Monica, CA

1998 Drawings, Hunsaker/Schlesinger Fine Art, Santa Monica, CA

Drawing, curated by Kim McCarty, St. Matthew's School, Pacific Palisades, CA

1997 Subliminal Fictions, curated by Josine Ianco-Starrels, Armory Center for the Arts, Pasadena, CA

CA90001-185, W139, Amsterdam, Holland

Corpora in Extremis: Recent Work of Hanneline Rogeberg & Patty Wickman, Laband Art Gallery, Loyola Marymount University, Los Angeles, CA

The Blake House Collection, curated by Kathleen Stoughton, Kensington, CA

1996 Be Specific, curated by Michael Duncan, Rosamund Felsen Gallery, Santa Monica, CA

1995 Ruth Weisberg and Patty Wickman, Heuser Art Center Gallery, Bradley University, Peoria, IL

Vital Signs, Los Angeles Municipal Gallery, CA (catalog)

1994 LAX: The Los Angeles Exhibition, Los Angeles Municipal Gallery, CA (catalog)

1993 Faceted Response: A Physical, Spiritual, and Emotional Dialogue, curated by Preston Metcalf, de Saisset Museum, Santa Clara University, CA

Summer Group Show, Caplan Gallery, Santa Monica, CA

Peculiar Paintings, curated by Randy Sommer, Woodbury University Art Gallery, Burbank and The Metropolitan Momentary Contemporary, Los Angeles, CA

Terror, Jose Drudis-Biada Art Gallery, Mount St. Mary's College, Los Angeles, CA

1991 Go Figure: New Paintings of the Human Image, curated by Peter Frank, Pasadena City College Art Gallery, CA (catalog)

1990 Figurative Realities: Beyond the Form, with Domenic Cretara and John Nava, Triton Museum of Art, Santa Clara, CA (catalog)

Spirit of Our Time, Santa Barbara Contemporary Arts Forum, CA

5^th Annuale, Los Angeles Contemporary Exhibitions, CA

SELECTED GROUP EXHIBITIONS (continued)

1989 Group Show, Michael's Restaurant, Santa Monica, CA

1987 Diversity and Presence, University Art Gallery, University of California, Riverside; traveled to University of California, Irvine; University of California, San Diego; University of California, Davis; and University of California, Santa Cruz (catalog)

1987 Young American Artists V, Mandeville Gallery, University of California, San Diego, La Jolla, CA

His and Hers: Couples in Art, Works Gallery, San Jose, CA

1986 Wall Works, LA Artcore, Los Angeles, CA

Four Painters, New Mexico State University Art Gallery, Las Cruces, NM

Teaching Artists, Wight Gallery, University of California, Los Angeles, CA

Works on Paper, Southwest Texas State University Art Gallery, San Marcos, TX

1985 Belief and Disbelief, San Jose Institute of Contemporary Art, CA

New Art in the West, Vorpal Gallery, San Francisco, CA

What Risk Does the Figure Run, Union Gallery, San Jose State University, CA

1984 Arizona's Finest Painting Invitational, Fine Arts Center of Tempe, AZ

Invitational Drawing Exhibition, Hunter Museum of Art, Chattanooga, TN, and

Art and Architecture Gallery, University of Tennessee, Knoxville, TN

1983 Creative Arts Symposium, Lory Center Gallery, Colorado State University,

Fort Collins, CO

Kansas Eighth National Small Painting, Drawing & Print Exhibition,

Visual Arts Center, Fort Hays State University, Hays, KS

National Drawing '83, Holman Art Gallery, Trenton State College, Trenton, NJ

The Figure: New Form/New Function, Arrowmont School of Arts and Crafts, Gatlinburg, TN

Group Show, Peter Miller Gallery, Chicago, IL

1983 Colorado Biennial, The Denver Art Museum, CO (catalog)

1982 71^st American Annual, Art Association of Newport, Newport, RI

Artists at Work, Clayton Staples Memorial Gallery, Wichita State University, KS

Arts '82, Boulder Center for the Visual Arts, CO

Salon des Refuses, Pirate Gallery, Denver, CO

SELECTED BIBLIOGRAPHY

2007 Geer, Suvan, Multiple Vantage Points Catalogue, February

Myers, Holly, "Dynamically Capturing the Feminist Spirit", Los Angeles Times, March 13

2003 Myers, Holly. “Redefining boundaries of what’s hip” ‘LA Post-Cool’ review,

LosAngeles Times, July 28, p.E9

Gilbert, Rick. “Sharon Allicotti and Patty Wickman at Cerritos College Gallery,”Artweek, May

O’Brien, Toti M. “Misteri del Giardino,” Laterna Magica, Nemapress Editrice, pp. 37-44

Thorson, Alice. “New Cool isn’t: California show continues art world’s post 9/11 flight from irony,” The Kansas City Star, February 16

Morris, Barbara. “’LA Post-Cool’ at the San Jose Museum of Art,” Artweek, Feb.

SELECTED BIBLIOGRAPHY (continued)

2002 Fischer, Jack. “’LA Post Cool’ looks inside: Artworks Don’t Hide Behind Ironic Stances That Concealed More Than They Revealed,” The Mercury News, December 6

Duncan, Michael. LA Post-Cool, San Jose Museum of Art (exhibition brochure)

Migliaccio, Franco. “Rassengne e Collettive,” Terzo Occhio, Trimestrale d’arte

Contemporanea, Anno XXVIII, no. 4, December, pp. 41-42

Micheletti, Elena. “La valle racconta il Sogno Americano,” Folio Bresciano, cultura

libri & societa, no. 7, December, pp. 9-10

O’Brien, Toti M. “Misteri del Giardino (il lavoro di Patty Wickman),” Alpar

Periodico di Cultura, Anno XIV, no. 50, November/December, pp. 22-23

Morandi, Albano. “California Dream,” Stile arte, Anno VII, no. 62, October/November, p. 22

Lorenzi, Fausto. “Brescia nella galassia di Los Angeles,” Giornale de Brescia, Cultura

Section, October 31

“Ecco il sogno californiano,” Giornale de Brescia, October 9, pp. 17-29

Hoffman, Fred. “A Sense of Individualism,” California Dream, Libera Accademia di

Belle Arte, Brescia, Italy, October, pp. 18-24 (exhibition catalog)

Cooper, Jacqueline. “In Search of the New Bohemians: The Flight and Possible

Return of Passion to the Contemporary Art World,” Side Street Magazine’s

Online Journal, Summer

2001 Lasarow, Bill. “Patty Wickman,” ArtScene, December, p. 18

Harvey, Doug. “Shadow People: ‘Devices of Wonder,’ Patty Wickman, Tim Noble,

& Sue Webster,” LA Weekly, November 23-29, p. 43

Pagel, David. “The Mundane and the Miraculous,” Los Angeles Times, November 23, p. F30

Letran, Vivian. “Go Figurative: Realism Returns to Art,” Los Angeles Times,

November 2, “Representing LA”

Fuglie, Gordon. "Representing LA," Southwest Art, January, pp. 116-119

2000 Pagel, David. "Realism and Imagination Coexist in Drawings V," Los Angeles Times, August 25, F24

Worth, Alexi. "Galleries -- Chelsea," The New Yorker, p. 14, August 7 and 14

Starkley, Glen. "The Art Testament," New Times, May 18-25, p. 25

Tahsuda, Kimberly. "Artists Exhibit Creative Process," Mustang Daily, May 18, P. 7

Harvey, Doug. "It's Chinatown," LA Weekly, May 5 - 11, p. 41

English, Jennifer. "A Case of Seeing Between the Lines," The Tribune, April 30, G5

1999 Harvey, Doug. "Closures, Openings," LA Weekly, Nov 26 - Dec 2, p. 54

Duncan, Michael. "LA Portraiture: Post-Cool," Art in America, October, p. 131

Fuglie, Gordon L. "Passion Paintings: The Art of Patty Wickman," IMAGE: A Journal of the Arts & Religion, Winter, Number 25, pp. 27-33

Williams, John. “Sex: Portraits of Passion,” Watson-Guptill Publications, New York, pp.377, 398

1998 Lucie-Smith, Edward. “Adam,” Rizzoli, reproduction of Taken, pp. 83-84

Frank, Peter. "Art Picks of the Week: Drawings," LA Weekly, August 14-20

SELECTED BIBLIOGRAPHY (continued)

1998 Gibson, William. Introduction by The Art of the X-Files, HarperPrism, reproduction of (Within) Without, p. 154

1997 Auerbach, Lisa Anne. "Subliminal Fictions at the Armory," LA Weekly,

December 19-25, p. 61

Spaid, Sue. "Foreign Policy: LA in Amsterdam," LA Weekly, December 12-18, p. 65

Wilson, William. "New Directions, Dead-Ends in Subliminal Fictions,"

Los Angeles Times, December 2, F3

Peeters, Mark. "Helter Skelter strijkt neer in Amsterdam," NRC Handelsblad, November

Wilson, William. "Corpora in Extremis," Los Angeles Times, April 1, F3

Vangelisti, Peter. (Editor), "Ribot 5: On History," Sun Et Moon/Consortium, reproduction of Anonymous (with St. Agatha), p. 133

1996 Greenstein, M.A. "Patty Wickman," World Art, issue #4, p. 83

Auerbach, Lisa Anne. "Patty Wickman," ArtForum, September, p. 116

Cooper, Jacqueline. "Patty Wickman," New Art Examiner, September, p. 43

Tapley, George. "Patty Wickman at Dan Bernier Gallery and Dan McCleary at Kohn Turner Gallery," Artweek, September, p. 24-25

Pagel, David. "Energized," Los Angeles Times, August 8, F11

Pagel, David. "Arresting Moments in Time Reveal a Harsh Reality,"

Los Angeles Times, June 14, F26

Frank, Peter. "ART Picks of the Week: John Paul Jones and Patty Wickman," LAWeekly, June 14-20, p.110

Miles, Christopher. "City of Now," Lingo 5, pp. 54-62

1995 Frank, Peter. "ART Picks of the Week: Vital Signs," LAWeekly, November 3-9, p.130

Frank, Peter. "ART Picks of the Week: LAX/94," LAWeekly, January 13-19, p.102

1993 Kapitanoff, Nancy. "Not Just Pretty Pictures," Los Angeles Times, Valley Life,

November 5, p.11

Maclay, Catherine. "Figures of Silent Speech," San Jose Mercury News, May 7, p.50

Sherman, Ann Elliott. "Figure Finders," Metro, April 29

Welch, Clarissa. "Faceted Response," Visions Art Quarterly, Winter, p. 38

1991 Frank, Peter. "ART Pick of the Week," LAWeekly, April 12-18, p. 108

1990 Woodard, Josef. "Spirit of Our Time," Artweek, December 20, pp. 16-17

Jan, Alfred. "The Classics Update," Artweek, May 3, pp.13-14

Burkhart, Dorothy. "Startling Images Drive a Challenging Triton Show,"

San Jose Mercury News, April 13, p. 15-E

1988 Reyes, Eric. "Diversity and Presence is too Diverse," The California Aggie, August 15

Ollman, Leah. "U.C. Women Artists," Los Angeles Times, Orange County Edition, June 3

1987 Pincus, Robert L. "Spiritual Works of Young Artists," The San Diego Union, January 15, E-6

1985 Jan, Alfred. "Four Approaches to Figures," Artweek, March 16, p. 4

SELECTED BIBLIOGRAPHY (continued)

1984 Singletary, Suzanne. "Colorado Biennial 1983," Artspace, Spring, p. 23

Rosson, Joe. "Middle Ground is Best of Show," Knoxville Journal, February 23

1983 Shannon, Mark. "Gestures and Rituals of Healing," Colorado Daily, August 26, p.11

Fudge, Jane. "Wickman Lends Dignity to Illness and Death," Boulder Daily Camera, August 19, p.1

LECTURES AND TEACHING EXPERIENCE

2003 Lecture Series, California State University, Fullerton, CA

Graduate Lecture Series, Claremont University, CA

2002 “Dieric Bouts’ ‘The Annunciation’ and Caspar David Friedrich’s ‘A Walk at

                       "Dusk,’“ Point of View Talk, J. Paul Getty Museum, Los Angeles, CA

Painting’s Edge, Guest Artist Lecture, Idyllwild Arts Campus, CA

“On Pictures and Reading Through a Glass Darkly,” Killeen Chair Series,

St. Norbert College, De Pere, WI

2001 Lecture, Graduate Lecture Series, Arizona State University, Tempe, AZ

1995-2001 Associate Professor of Art, University of California, Los Angeles, CA

2000 Co-lecture with Ruth Weisberg, Visual Art Guest Lecture Series, California

Polytechnic State University, San Luis Obispo, CA

1998 Guest Lecture, Lily Summer Seminar in the Arts, Loyola Marymount University,

Los Angeles, CA

1997 Lecture, Contemporary Art Lecture Series, Loyola Marymount University, Los Angeles, CA

Lecture, Visiting Artist, Lisa Adam’s class, Santa Monica College of Design, Art

& Architecture Santa Monica, CA

Symposium Participant, “Ambiguity in 20^th Century Art,” Armory Center,

Pasadena, CA

Panel Participant, moderated by Professor Ronald E. Steen, “Los Angeles

Contemporary Artists: Laura Lasworth, Ruth Weisberg and Patty Wickman,”

Visionaries Program, Orange County Museum of Art, CA

Symposium Participant, “The Single Eye,” Biola University, La Mirada, CA

Lecture, Graduate Lecture Series, Claremont Graduate School, Claremont, CA

Panel Participant: “Self-Reflections: Women and Their Art,” Lita Albuquerque,

Phillis Green, Eileen Cowin and Patty Wickman, Art Center, Pasadena, CA

Public Lecture, Critiques and Seminar, Visiting Artist Program, University of

Colorado, Boulder, CO

1995 Lecture and Critiques, Visiting Artist, Bradley University, Peoria, IL

1994-95 Senior Mentor, Otis College of Art and Design, Los Angeles, CA

1985-95 Assistant Professor of Art, University of California, Los Angeles, CA

1994 Lecture, Speaker Series, California State University, Fullerton, CA

Studio Talk, Lynn Aldrich’s Senior Seminar, Art Center, Pasadena, CA

1992 Graduate Seminar Lecture and Critiques, Linda Burnham’s class, Otis/Parsons

School of Art, Los Angeles, CA

LECTURES AND TEACHING EXPERIENCE (continued)

1991 Lecture, Union Gallery, San Jose State University, CA

Lecture, Carole Caroompas’ Senior Seminar, Otis/Parsons School of Art,

Los Angeles, CA

1990 Studio Talk, Lari Pittman’s Senior Seminar, College of Creative Studies,

University of California, Santa Barbara, CA

1989 Lecture, Woman Image Now, Arizona State University, Tempe, AZ

Lecture, Chapman College, Orange, CA

1988 Lecture, Hank Pitcher’s Senior Seminar, College of Creative Studies, University

of California, Santa Barbara, CA

Lecture, Art Lecture Series, University of California, Los Angeles, CA

1986 Lecture and Critiques, Visiting Artist, New Mexico State University,

Las Cruces, NM

Lecture, Art Lecture Series, University of California, Los Angeles, CA

1984-85 Lecture, Painting & Drawing, San Jose State University, CA

1983 Lecture, Advanced Drawing Class, Colorado State University, Fort Collins, CO